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TitleColor Perception and the Art of James Turrell
TagsMetaphysics Color Perception Object (Philosophy) Light
File Size2.6 MB
Total Pages10
Table of Contents
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		Front Matter [pp.  248 - 320]
		Editorial: The New Artist and "Leonardo" [p.  247]
			in::FORMATION: The Aesthetic Use of Machinic Beings [pp.  249 - 261]
			"Glass Houses": A View of American Assimilation from a Mexican-American Perspective [pp.  263 - 264]
			Beyond Tradition and Modernity: Digital Shadow Theater [pp.  264 - 265]
			"Torn Touch": Interactive Installation [pp.  265 - 266]
		Color Plates
			An Exploration of How Objectivity Is Practiced in Art [pp.  267 - 274]
			Video Space: A Site for Choreography [pp.  275 - 280]
			A Renaissance of Color: Particle Separation and Preparation of Azurite for Use in Oil Painting [pp.  281 - 288]
			Rhythm in Multimodal Texts [pp.  289 - 297]
			The Specter of the Golem: The Quest for Safer Encaustic Painting Practice in the Age of OSHA [pp.  299 - 304]
			Color Perception and the Art of James Turrell [pp.  305 - 313]
			Introduction: Leonardo Fights Back! [p.  316]
			Open Letter to Our Readers: Letter from "Leonardo's" Executive Editor [pp.  317 - 319]
			How the etoy Campaign Was Won: An Agent's Report [pp.  321 - 324]
			Commentaries [pp.  325 - 326]
		Leonardo Web Resources [pp.  327 - 328]
			Materials Received [p.  339]
			Leonardo Digital Reviews [p.  340]
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		Leonardo/ISAST News [p.  341]
		Back Matter [pp.  342 - 344]
                        

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